Set in 1910 New Orleans, the show is about bigotry, racism and misogyny.
It's the perfect show in today's political climate. Josie Mac Rae, an
18 year old very light skinned Octoroon girl, the illegitimate daughter
of the Octoroon cook and the white owner of a plantation in Natchez, MS,
is sent to New Orleans to attend the Octoroon ball where the rich white
men of New Orleans go to pick out their mistresses. She looks around
and notices that she's as white as anyone on the train. She decides
then and there to try to pass as white, reinvent her past, marry a rich
white boy and live happily ever after. She almost succeeds. Getting off
of the train at the wrong stop, she is befriended by Lulu White, the
proprietress of Mahogany Hall, the finest of all the brothels in the
Storyville section of New Orleans. She is introduced to Judge Roy
Prudhomme, the mover and shaker of New Orleans. She falls in love with
his son, Edward, and is poised to spend the rest of her life in luxury
while being at the top of society when someone from Natchez recognizes
her. Her life is turned upside down and she's forced to work as a
prostitute to survive. She proves her love for Edward by taking a
bullet meant for him.
PRODUCERS
Harriet Rose Tarr
Harriet Rose Tarr, Producer, was a Principal Dancer with the Chicago
City Ballet and is an educator, musician, real estate investor and
developer as well as a theatrical agent, drama/vocal coach and audition
coach. She has students who have appeared in the NBC production of Sound
of Music starring Carrie Underwood, and on national TV commercials as well
as regional theaters such as North Shore Music Theater in Beverly, MA.
She has produced and costumed plays and musicals at the local level as
well as for college and university drama festivals which she also hosted.
She has degrees in music, psychology and philosophy. She is a published
writer with four books in print.
If available, the following have expressed a strong interest in
performing in Mardi Gras the Musical.
CAST & CREW
Jessica Tyler Wright
Jessica was most recently seen Off Broadway as Marjory Taylor in Allegro
at the Classic Stage Company, which earned her a 2015 Lucille Lortel
nomination for Best Featured Actress in a Musical. Other favorite credits
include - Broadway: War Horse, Sweeney Todd, Company and LoveMusik. New
York City Opera: Candide. Off Broadway: I'm a Stranger Here Myself, It Must
Be Him, Suburb, Radio Gals. Tours: Sweeney Todd, The Radio City Christmas
Spectacular. Regional: Radio Gals (Cape Playhouse, Actors Theatre of
Louisville), Merrily We Roll Along (Cincinnati Playhouse), Music Man
and Kiss
Me Kate (Marian and Lilli-Music Theatre of Wichita), 10 Cents a Dance
(Williamstown Theatre Festival, McCarter), Annie (Grace-North Shore Music
Theatre), World Goes Round (Prince Music Theatre), Crazy for You
and Cabaret
(Irene and Kost-California Music Circus), Pump Boys and Dinettes
(Prudie-Theatre Under the Stars),TV: Nexium National Commercial, Blue Bloods.
www.jessicatylerwright.com
Raymond Jaramillo McLeod
Ray began his career in Zefirelli's La Boheme at the Metropolitan Opera
and continued to Broadway's Jekyll and Hyde, Wonderful Town, for which he
was a Drama Desk nominee, Dance of the Vampires and Tale of Two Cities;
Off-Broadway's The Wild Party, The 20th Anniversary Tour of Evita and Seven
Deadly Sins with The New York City Ballet and Patti LaPone; as Psycho Bob
in The Fresh Prince of Bel Air and over 200 Movie Soundtracks and Disney
Films (including The Little Mermaid, Aladdin, Beauty and the Beast and
Pocahontas). He has released his own solo CD: Until Then, 24 Love Songs in
4 Languages.
Edward Barker
Ed has performed in dozens upon dozens of productions ranging from the
world premier of Memphis at the North Shore Music Theater to the Roundabout
Theater's production of Tin Pan Alley Rag. He has starred in numerous musical
productions ranging from Leading Player in Pippin to Nathan in Dessa Rose
where he was also the dance captain. He also starred in his one man show,
Ellington: Life and Music of the Duke. His performances range from Edward in
the complete works of Shakespeare to Judas in Jesus Christ Superstar.
Stowe Brown
With Carrie Underwood
Stowe Brown is a member of SAG and AFTRA. Her television credits include a
postulant and dancer on The Sound of Music Live on NBC as well as understudy
of Liesl. She also appeared on NBC's Law & Order SUV as Janey Thurber . She
performed on the recording of The Sound of Music Live. Her film credits include
The Proposal and Here Comes the Boom. She has appeared in numerous regional
productions including The Sound of Music and A Christmas Carol at North Shore
Music Theater, Lilly's Purple Plastic Purse and Garland at Boston Children's
Theatre, The Best Christmas Pageant Ever at Stoneham Theater, Grease at Theater
Direct, and Cats and Jimima at Neverland Theatre. She has also done numerous
voiceovers and commercials.
CREATIVE AND LEGAL CONSULTANTS
Jim Kilroy
Music, Lyrics, Book
Jim has written, directed, produced and acted in plays and musicals at the New
England Theater Conference Festival at Brandeis University and other venues and
was involved in theatrical performances both onstage, conducting and/or playing
in the orchestra.
Jim is also a successful businessman, publisher, musician, writer, composer
and lyricist.
In the military, Jim was a Special Agent in United States Military Intelligence.
As a professional musician, his musical credits include organist for the Boston
Red Sox for eight years and performing organ concerts throughout the United States,
drummer with Capitol recording artist jazz organist Joe Bucci and trombonist and
bandleader of Jim Kilroy's Jambalaya Jazz Band. He has performed in dozens of Mardi
Gras parades in New Orleans which was the impetus for the writing of Mardi Gras when
he overheard people in New Orleans saying "we're glad that they aren't planning on
rebuilding the ninth ward. Maybe now we can get a white mayor".
Bigotry and prejudice on any level has always bothered Jim and Mardi Gras is his
way of helping to expose just how deep those feelings go.
Larry Hochman
"Jim Kilroy is a wonderful writer and Mardi Gras is a beautiful and gripping
work of theatre. I was attracted to the score immediately, and upon learning about
the subject matter, the characters, the setting and the history, I became totally
intrigued. It has genuine heart and soul and I look forward to working on its
first production."
Larry Hochman, Tony Award Winning Orchestrator (Book of Mormon)
Director
William G. Martin
Dramaturg
William Martin is a free-lance director, playwright, dramaturg, and acting coach.
After receiving his Ph.D. in theatre history from the University of Wisconsin, he
began his directing career staging operas with many Metropolitan Opera notables
including Jerome Hines and Eleanor Steber. His first Broadway venture was the
Tony-nominated "Best Musical" The Lieutenant for which he received a Drama Desk
Award nomination for "Best Director '74-75". Since that time he has directed more
than 200 productions of both musical and non-musical theatre On- and Off-Broadway
and in the regional and university theatre arenas with such names as Eartha Kitt,
George Grizzard, Jessica Tandy, Hume Cronyn, Deborah Kerr, Frank Langella, Barry
Bostwick, Salome Jens, Barbara Barrie, Jason Alexander, Maureen Anderman Patricia
Richardson, Pamela Meyers, and Dick Shawn.
During his 34-year professional career, Dr. Martin has established himself as a
premier "actors' director" and a reputed adjudicator and instructor for university
and theatre conferences. He is the creator of the "Character Kinespheric Technique".
Among his produced plays are his adaptations of The Three Musketeers, To Kill a
Mockingbird, The Last Unicorn, and his co-authored That Man Jefferson, which was
credited in The Best Plays of 1976 as the best of the Bicentennial theatrical
offerings; and most recently his musical farce A Naughty Knight was produced
Off-Broadway.
Dr. Martin is a theatre historian, dramaturg, and co-founder/vice president of the
Lyric Theatre International, which is a research and publishing organization restoring
the entire canon of John Philip Sousa's comic operas, including The Glass Blowers,
which was produced at the New York City Opera to successful reviews. If this were not
enough, he was brought in on special assignment by Joseph Papp to the casting office
of the NY Shakespeare Festival.
Jack Swig
Seasoned Sr. Exec. General Counsel, Corp. Development, strategic advisor, seed,
early, devel, stage, public & private.
Attorney At Law - Counsel At Finance
To hear about special possibilities with Mardi Gras: a Musical please click here:
Mardis Gras logo designed by Jim Kilroy, rendered by Lisa Hutchinson, Day Dream Designs